Melissa
Manchester was primarily a torch singer in the Streisand mold, with
Adult Contemporary hits such as "Midnight Blue" and "Don't Cry Out
Loud." She also co-wrote the Yacht Rock classic "Whenever I Call You Friend" with Kenny
Loggins. I mean, who needs Michael McDonald?
But in 1982, someone at the record
company must have called Manchester into his office and said, "Melissa, baby,
we love you but you're just not selling. Try to do something the kids
are gonna like, you know? Something they can dance to."
"You
Should Hear How She Talks About You," sort of a "She Loves You" for the
'80s, peaked at #5 and became her most successful single. But according
to Wikipedia, she "had to be dragged kicking and screaming into [the]
studio" to record it. I'll bet nobody had to drag her kicking and
screaming to the Grammys, where she won Best Female Pop Vocal
Performance over Laura Branigan, Olivia Newton-John and Juice
Newton! That's like the Holy Trinity of early '80s female pop. She
should have won a special Grammy just for beating those three.
Songwriter Peter
Brown probably had this song stuck in his head when he wrote Madonna's
"Material Girl." Sing the lines "Some boys kiss me, some boys hug me/I think they're OK" to the tune of the chorus and you'll see
what I mean. Hey Melissa Manchester, you should hear how Madonna ripped
off the song you didn't even like.
Subscribe to:
Post Comments (Atom)
3 comments:
There's really someone named "Juice Newton"?
Can you say "late to the party"?
Great song! Tell her to give back all the royalties if she’s so embarrassed by the song!
Post a Comment